www.firethroughspirit.com. Past lives can come to me either in one very detailed description, if one life is of particular importance – or, if there is a theme that follows through, I may get several past lives, each one weaving a thread. This month we will look at three life experiences. Question: Why do I constantly say “I love you” to myself? Usually when no one else is around, but at times my family has heard me seemingly talking to myself, but what I am doing is professing love. Many times I feel a strong spiritual connection in my heart center and it has been happening for over a year now. Carmen from Rochester NY
Corbie: This is a little left over from a past life. Your guides say there is a life in Austria in the 1800s, and you were born deaf. There was a sense of what you were missing. You did end up getting married. Your husband was very patient with you. You had a couple of kids. The difficulty here was that everyone else heard and you did not. What your soul ached for was to hear “I love you” from those you loved and who loved you. I don’t know that you read lips very well, but you did get a sense of what people were saying. You had so much yourself you wanted to say but you had no language for it. In this life, the sense I have is that you may end up meeting the husband from that Austrian life this time. Not there yet, but you may indeed meet him. And the “I love you” is in a sense reminding you that you are worthy of love. Your soul knows that – and it needs that. You need to remember that when things are very tough. What I would say is it doesn’t matter if anyone else hears you say, “I love you.” You deserve it. Keep reminding yourself of your worthiness in being loved.
Question: What did I do in a past life that causes me to cry every time I try to sing a song that I personally write? I can sing anything without it affecting me, but if I sit down at the piano or try to sing a song that I personally write, I can’t get through it without crying! This has happened to me since I was a child and it is so deeply inside of me that it has to have come from a past life. Kathie from Beacon Falls CT Corbie: I wouldn’t disagree with you. The sense that I’m getting is not quite a traveling troubadour – someone who went around singing and playing in medieval times, but more an Irish bard. Bards in the Celtic landscape were highly valued and highly honored. I see you, though, in the 18th century. A bard then was not quite as honored, but it was still very important, especially in Ireland. You memorialized the little people. It wasn’t like you were from Scotland singing about Culloden and all the kings and major battles. People who needed to have their grief memorialized. Just as in Cyrano de Bergerac, you would sing for the people who needed to speak but didn’t have the words or the voice. You were very good at what you did because you could feel the emotion behind the song. You would take a couple of farthings from a boy who knew he’d never get the girl he loved – but it was important that she know how he felt. You would not only sing the song to her for him but there would be all of the longing, all of the hopelessness – you we able to communicate, talk about things that couldn’t be talked about and all of this informed your songs. You are getting a bleed-through of old past life memory that what you are singing is not just a song for you, but literally being the voice for other people. If you get emotional because it’s important for what you need to say, I get that. But one of the reasons you were as good as you were was that you were not afraid of taking in the emotion of those who asked you to write for them, when they didn’t have the words or the voice. That’s why you don’t cry when it’s somebody else’s words – but when you are doing the writing and expressing so many things that others cannot, you know you are being the voice for others. So I would say to you: keep playing, keep writing. The songs mean more than you think, and they are going to be heard by other people who will say, “This is always what was in my heart but I couldn’t get it out.” You still have that ability. And get a bigger audience than you currently have! It’s important. Response from Kathie: Thank you! My great grandfather was a Hungarian Gypsy Orchestra leader. My son is 26 and a musician who has hundreds of songs written and recorded and performs in NYC and yet has not been discovered yet. I personally have felt stuck to not be able to finish a song and a bit envious that my son does it with such ease! I wanted to also add in what I do now for a living. I am a children’s entertainer. I am actually Cinderella and I sing and tell stories to children! I have the privilege to tell them that they are beautiful and see them with such joy in their hearts! I also have the intense need to sing and perform by touching the hearts of children. The parents cry too at the events I do and it is so rewarding to touch the hearts of all who attend. In any case… thank you so much. Maybe I can sit and finish a song now that I understand the tears!
Question: I dream of ancient Egypt often and was wondering why I am so attracted to that time period. And did my friend Nicole and I meet then? We are BFFs. Chris from Swoyersville PA Nicole from Allentown PA Corbie: Chris, I see you in Egypt, but not with Nicole. Chris, you were an embalmer. You were one of the ones who prepared the bodies of the dead, and you understood what an important thing this was. Whether a person, a dog, a cat – whatever. Yet even though you understood and accepted how important your job was, seeing people and animals through to the Afterlife, you always in effect had to “take the taste out of your mouth” after a day’s work. When you finished, you would want to surround yourself with kids – as if you were saying to the world “yes, I know we have to leave here eventually, but until I do I want to surround myself with the most alive little beings I can.” You did not have kids yourself but you were everybody’s uncle; you were the one who always managed to have a barley sweet tucked away in your pouch for a lucky child, and you were the one who could tell the most wonderful stories. And if you have a sense of communing with royalty, it was because you saw them at the last, when everyone was equal. Nicole, the Egypt I see you in is more very early 20th century, one of the people who was with the British explorers. You were not a part of the crew who was cursed because they opened King Tut’s tomb, but you were fascinated with archaeology. You spoke very good Arabic and two or three other languages or dialects common to the area. You were male in that life. I see you about 1905-1906. You were very good at charming people, but you were unfortunately a bit too interested in the ladies and barely escaped a couple of escapades! Chris, the reason you and Nicole feel the Egyptian pull is not because of Egypt per se, but I do see an early 19th century life in England, where you then came over to live in Boston, in America. This was a relationship that never got anywhere, it was dear friends, drinking buddies, and while each of you did have a romantic interest in each other, it was never mentioned. There will always be an ability to talk with each other, you will always have each other’s back, but it wasn’t Egypt, it was a love of all history that bound you together. Corbie Mitleid is a Certified Professional Tarot Reader, Certified Psychic, trained medium and ordained minister. Her work is showcased in Robert Schwartz’s breakthrough series, YOUR SOUL’S PLAN and the new volume YOUR SOUL’S GIFT (coming in the spring of 2012). With 40 years’ experience, Corbie’s abilities include spiritual/intuitive counseling, past life retrieval and analysis, mediumship, and spirit guide conferences (including speaking with one’s Soul or Higher Self).]]>
